Furious Filming Locations
Furious begins with two women moving through the same city for very different reasons. Alice Black is an FBI agent connecting a string of suspicious deaths, while Catherine is the calculating killer whose past may hold the key to stopping her. Created by Liz Meriwether and loosely inspired by the 1987 film Black Widow, Hulu’s…

Furious begins with two women moving through the same city for very different reasons. Alice Black is an FBI agent connecting a string of suspicious deaths, while Catherine is the calculating killer whose past may hold the key to stopping her. Created by Liz Meriwether and loosely inspired by the 1987 film Black Widow, Hulu’s crime drama pulls investigator and suspect into the same moral grey zone. Emmy Rossum and Lola Petticrew lead the series alongside Scoot McNairy, Quincy Tyler Bernstine and Jake Lacy. The series premiered on Hulu on July 27, 2026.
New York is more than convenient scenery for that pursuit. Courthouse steps, downtown blocks, residential avenues and waterfront streets give the story several versions of the city at once: official, anonymous, affluent and isolated. Public notices show that production crossed Manhattan, Brooklyn and the Bronx from September through December 2025.
Where Was ‘Furious’ Filmed? All New York City Locations
Furious repeatedly took its cast onto New York streets. The documented trail begins in Lower Manhattan, moves through the East Village and Upper West Side, and extends to Bay Ridge, Brooklyn Heights and an unidentified motel in the Bronx.
Lola Petticrew marked the end of production with a message celebrating the completion of her work as Catherine and bidding farewell to New York. Casting records for East Village pedestrians dated December 15 indicate that location work continued well into the final month.

Foley Square
The series used the Civic Center area of Lower Manhattan in September 2025. The clearest landmark is the New York County Supreme Court at 60 Centre Street, whose broad steps and imposing columns overlook Foley Square. New York City Hall and other government buildings around the square also appeared during filming.
The setting suits Alice’s investigation. Foley Square supplies the institutional scale associated with federal agents, prosecutors and major criminal cases without requiring an invented government complex. It keeps the procedural storyline grounded in a place many viewers recognize, even when the show does not announce the address.

East Village
One of the production’s largest Manhattan street setups stretched along Avenue A from East Third Street to East Ninth Street, with additional work on nearby side streets. Local notices warned residents to expect crews throughout the week of November 10.
That timing overlaps with Rossum and Lacy filming an aggressive confrontation on November 12. In the staged sequence, Lacy’s Marshall chased Alice before forcing her onto the hood of a car. The precise intersection has not been publicly fixed, but the surrounding production activity makes the East Village central to the show’s more volatile street material.
The unit returned late in the schedule. A December casting call sought a parent-and-teen pair as East Village pedestrians, suggesting that the neighborhood appears across more than one episode.

Upper West Side
Notices carrying the title Furious also appeared around West 79th Street and Riverside Drive in the high 70s. Residents reported temporary parking restrictions and a filming window extending through a Tuesday night.
No scene breakdown has tied these blocks to a particular character. Still, the Upper West Side broadens the setting beyond downtown’s government architecture. Its apartment buildings, tree-lined cross streets and quieter Riverside frontage offer a more domestic face of New York, suitable for homes, meetings or surveillance scenes.

Bay Ridge
Brooklyn supplied the most extensive cluster of precisely reported street locations. In October, crews worked around Shore Road and 96th Street, Third Avenue and 96th Street, 97th Street and Marine Avenue, and Fort Hamilton Parkway in the 90s.
One point deserves clarification: the Third Avenue and 96th Street intersection listed in local coverage is in Bay Ridge, not Manhattan. Together, the sites form a compact southern Brooklyn filming zone. Shore Road provides waterfront views and sightlines toward the Verrazzano-Narrows Bridge, while Marine Avenue and Fort Hamilton Parkway offer low-rise residential blocks for less conspicuous character scenes.
The closures reportedly removed a noticeable number of parking spaces, the familiar New York price of having a television production take over several adjoining blocks.

Brooklyn Heights
Before the title Furious was announced, the production operated as the “Untitled Liz Meriwether Project,” or ULM. A September notice placed the project at several Brooklyn Heights locations on September 11 and 12.
The available notice does not preserve a dependable street-by-street list, so particular brownstones or businesses should not be presented as confirmed sites. Brooklyn Heights itself, however, belongs on the filming map.

Bronx Motel
The Bronx appears in casting paperwork for the then-untitled Meriwether series. A notice sought a real couple in their forties for motel scenes scheduled on December 2 and 3. The property’s name and address were not disclosed.
That makes the motel a documented production setting but not an identifiable attraction. Connecting the scene to a specific Bronx property without further evidence would be guesswork.
Furious Cast
Emmy Rossum stars as FBI agent Alice Black, with Lola Petticrew as Catherine. Jake Lacy plays Marshall, Alice’s childhood connection whose troubled history complicates their relationship. Larissa Campos as Isabel Luna, Scoot McNairy and Quincy Tyler Bernstine round out the central cast.
By filming across several boroughs, Furious avoids presenting New York as one uniform maze of skyscrapers. Its locations move from civic power to residential calm and waterfront isolation, mirroring a story in which justice looks different depending on who is pursuing it. It keeps the pursuit visually restless.


